Blog:
# Posted by Tyler Carter about 1 week, 2 days ago on March 2, 2010, 5:52 p.m.
QuixoteMy image is like that of a movie projected onto a screen in front of an audience. Behind the screen you might find a few old chairs, a mouse, and some dust. But if you watch from the front, walking towards you, admiring the distance as it closes, you might fall in love if you are a lover of movies.
What is the opposite of sitting in a church?
Sitting in a church
Sitting in a bar drinking a beer
Sitting in hell
Flying through hell
Sitting in a fountain eating a bird raw
Sitting in a patch of flowers
QuixoteMy image is like that of a movie projected onto a screen in front of an audience. Behind the screen you might find a few old chairs, a mouse, and some dust. But if you watch from the front, walking towards you, admiring the distance as it closes, you might fall in love if you are a lover of movies.
What is the opposite of sitting in a church?
Sitting in a church
Sitting in a bar drinking a beer
Sitting in hell
Flying through hell
Sitting in a fountain eating a bird raw
Sitting in a patch of flowers
Igor Stravinsky loved expressing himself and wrote a good deal on interpretation. As he bore a volcano within him, he urged restraint. Those without even a the vestige of a volcano within them nodded in agreement, raised their baton, and observed restraint, while Stravinsky himself conducted his own Apollon Musagete [a ballet] as if it were Tchaikovsky. We who had read him listened and were astonished.
The Magic Lantern by Ingmar BergmanMost of us are searching--consciously or unconsciously--for a degree of internal balance and harmony between ourselves and the outside world, and if we happen to become aware--like Stravinsky--of a volcano within us, we will compensate by urging restarint. By the same token, someone who bore a glacier within him might urge passionate abandon. The danger is, as Bergman points out, that a glacial personality in need of passionate abandon may read Stravinsky and apply restraint instead."
Igor Stravinsky loved expressing himself and wrote a good deal on interpretation. As he bore a volcano within him, he urged restraint. Those without even a the vestige of a volcano within them nodded in agreement, raised their baton, and observed restraint, while Stravinsky himself conducted his own Apollon Musagete [a ballet] as if it were Tchaikovsky. We who had read him listened and were astonished.
The Magic Lantern by Ingmar BergmanMost of us are searching--consciously or unconsciously--for a degree of internal balance and harmony between ourselves and the outside world, and if we happen to become aware--like Stravinsky--of a volcano within us, we will compensate by urging restarint. By the same token, someone who bore a glacier within him might urge passionate abandon. The danger is, as Bergman points out, that a glacial personality in need of passionate abandon may read Stravinsky and apply restraint instead."